"Hilarious […] congratulations for the uninhibited approach and the daring of the creators" Ioanna Koropioti,

"This operetta from 1923, dealing with the important matter of the Greek mother-in-law and other perennial problems of the married life, found its ideal production and venue." Dimitris Kiousopoulos, Eleftherotypia

"Director Alexandros Efklidis and composer Kharálampos Goyós joined forces in order to revive this forgotten work. The result […] showed that they love and know the subject, and that they apply their ideas with boundless zeal." Yannis Svolos, Efsyn

"An upgrade from every angle […] Efklidis's directorial view modernized the action […] and moved it to the present time, through the prism and the aesthetics of TV series and movies […] Listening to the original orchestration […] was priceless. […] Goyós's leadership was exact, flexible and theatrical." Eftychios Horiatakis, Athinorama

"A breath of optimism […] Set design and costumes (as well as pop-art hair design) utopian enough to recall another era in the life of the Athenian bourgeoisie […] An interesting and promising cast […] The charismatic Dimitris Nalmpantis […] is a singing actor born for operetta leading parts […] The full house and enthusiastic crowd, […] bore a loud message regarding the artistic orientation and possibilities offered by this historic venue [of the Piraeus Municipal Theatre" Kyriakos Loukakos, Avgi