ΟΙ ΟΠΕΡΕΣ ΤΩΝ ΖΗΤΙΑΝΩΝ | THE BEGGARS' OPERAS

• HISTORY
• MANAGEMENT
  • KHARÁLAMPOS GOYÓS
  • CONSTANTINOS ZAMANIS
• PRODUCTIONS
  • AIDA PREVIEW
    • THE PERFORMANCE
    • PHOTOS
    • VIDEO
  • AIRROSSINI
    • THE PRODUCTION
    • PRESS
    • PHOTOS
    • VIDEO
  • CASSANDRA
    • THE PRODUCTION
    • PRESS
    • PHOTOS
    • PROGRAMME
    • VIDEO
  • DAMAGE, AN OPERA
    IN SEVEN MEALS
    • THE PRODUCTION
    • PRESS
    • PHOTOS
    • PROGRAMME
    • VIDEO
  • DAS SCHUBERT
    DIPLOMA
    • ANNOUNCEMENT
    • PHOTOS
    • VIDEO
  • EVENING SONGS
    • THE PRODUCTION
    • PHOTOS
    • PROGRAMME
    • VIDEO
  • IL TROVATORE
    • THE PRODUCTION
    • PRESS
    • PHOTOS
    • PROGRAMME
    • VIDEO
  • LITTLE RED RIDING HOOD
    AND THE (GOOD) WOLF
    • 2005
      • THE PRODUCTION
      • PRESS
      • PHOTOS
      • PROGRAMME
      • VIDEO
    • 2012
      • THE PRODUCTION
      • PHOTOS
      • PROGRAMME
      • VIDEO
    • THE RECORDING
  • LIVE ARCHIVE
    • THE PERFORMANCE
    • PHOTOS
    • VIDEO
  • NEW GREECE
    (THE MAKING-OF)
    • 2013
      • THE PERFORMANCE
      • PRESS
      • PHOTOS
    • 2014
      • THE PRODUCTION
      • PRESS
      • PHOTOS
      • VIDEO
    • THE RECORDING
  • OFFICIAL ANTHEM OF THE
    STATE OF SABOTAGE
    • THE PERFORMANCE
    • PHOTOS
    • THE RECORDING
  • OWN GOAL
    • THE PERFORMANCE
    • PRESS
    • PHOTOS
    • VIDEO
  • SATANERIE
    • THE PRODUCTION
    • PRESS
    • PHOTOS
    • PROGRAMME
  • SILENCE, THE KING
    IS LISTENING
    • 2009
      • THE PRODUCTION
      • PRESS
      • PHOTOS
      • PROGRAMME
      • VIDEO
    • 2011
      • THE PRODUCTION
      • PRESS
      • PHOTOS
      • PROGRAMME
  • THE DAUGHTER
    OF THE STORM
    • 2011
      • THE PRODUCTION
      • PRESS
      • PHOTOS
      • VIDEO
    • 2013
      • THE PRODUCTION
      • PRESS
      • PHOTOS
      • PROGRAMME
      • VIDEO
  • THE MARRIAGE OF
    FIGARO
    • THE PERFORMANCES
    • PHOTOS
    • PROGRAMME
    • VIDEO
  • YASOU AIDA!
    • THE PRODUCTION
    • PRESS
    • PHOTOS
    • VIDEO
• PRESS
  • AIRROSSINI
  • CASSANDRA
  • DAMAGE, AN OPERA
    IN SEVEN MEALS
  • LITTLE RED RIDING HOOD
    AND THE (GOOD) WOLF
    • 2005
    • 2012
  • IL TROVATORE
  • NEW GREECE
    (THE MAKING-OF)
    • 2013
    • 2014
  • OWN GOAL
  • SATANERIE
  • SILENCE, THE KING
    IS LISTENING
    • 2009
    • 2011
  • THE DAUGHTER
    OF THE STORM
    • 2011
    • 2013
  • YASOU AIDA!
• PHOTOS
  • AIDA PREVIEW
  • AIRROSSINI
  • CASSANDRA
  • DAMAGE, AN OPERA
    IN SEVEN MEALS
  • DAS SCHUBERT
    DIPLOMA
  • EVENING SONGS
  • LITTLE RED RIDING HOOD
    AND THE (GOOD) WOLF
    • 2005
    • 2012
  • IL TROVATORE
  • LIVE ARCHIVE
  • NEW GREECE
    (THE MAKING-OF)
    • 2013
    • 2014
  • OFFICIAL ANTHEM OF THE
    STATE OF SABOTAGE
  • SATANERIE
  • SILENCE, THE KING
    IS LISTENING
    • 2009
    • 2011
  • THE DAUGHTER
    OF THE STORM
    • 2011
    • 2013
  • THE MARRIAGE
    OF FIGARO
  • OWN GOAL
  • YASOU AIDA!
• PROGRAMMES
  • CASSANDRA
  • DAMAGE, AN OPERA
    IN SEVEN MEALS
  • EVENING SONGS
  • LITTLE RED RIDING HOOD
    AND THE (GOOD) WOLF
    • 2005
    • 2012
  • IL TROVATORE
  • SATANERIE
  • SILENCE, THE KING
    IS LISTENING
    • 2009
    • 2011
  • THE DAUGHTER
    OF THE STORM
    • 2013
  • THE MARRIAGE
    OF FIGARO
• RECORDINGS
  • LITTLE RED RIDING HOOD
    AND THE (GOOD) WOLF
  • NEW GREECE
    (THE MAKING-OF)
  • OFFICIAL ANTHEM OF THE
    STATE OF SABOTAGE
• VIDEOS
• MORE
  • MASTERCLASS "PHRASE=ACTION"
  • CONFERENCE "OPERA AND POLITICS"
  • PATRAS MUSIC THEATRE WORKSHOP
  • FRANZ SCHUBERT LIED MASTERCLASS
• CONTACT
• ΕΛΛΗΝΙΚΑ

NEW GREECE (THE MAKING-OF) | 2014

"Totally far-out […] A mordant commentary of boundless sarcasm" Panagiotis Andriopoulos, panagiotisandriopoulos.blogspot.gr

"Audacious and venomous, […] technically, musically and theatrically accomplished […] a felicitous, poisonous satire commenting with cannibalistic harshness on the moral and social degradation of modern Greece.» Yannis Svolos, I Efimerida ton Syntakton

"An orgiastic attack to contemporary reality, with vitriolic humour as weapon. […] Thanks to its youthful energy, the result felt redemptive." Nikos Dontas, I Kathimerini

THE BEGGARS' OPERAS | 2002–2014